Fire Station Residency
Permindar Kaur is a sculpture/installation artist, whose approach to art is playful, using childlike objects to explore the territory of cultural identity, home and belonging. She uses simple forms, for instance furniture (beds, cots and chairs) and toys (soft, brightly coloured figures, trucks and animal forms). These objects resemble displaced domestic belongings, which have been distorted and manipulated to invoke the uncanny. They are deceptively familiar in their appearance and initially might remind the viewer of innocence, childhood and play belying their sinister undertones.
Permindar has exhibited internationally; major solo exhibitions include Hiding Out, Djanogly Art Gallery, Nottingham Lakeside Arts (2014); Untitled, Berwick Gymnasium Art Gallery, Berwick (1999); Comfort of Little Places, Aspex, Portsmouth (1998) and Cold Comfort, Ikon Gallery, Birmingham, Mead Gallery, Coventry (1996). Major group exhibitions include Animals & Us, Turner Contemporary (2018); A Vision of Utopia, Spirella Building, Letchworth (2014); Spoilt Rotten: Young Curators, Oriel Davies Gallery, Newtown, Wales (2005); At Home with Art, Tate, London and touring (2000); Hot Air, Granship, Shizouka Arts Centre, Japan (1999); Pictura Britannica, Art from Britain, Museum of Contemporary Art, Sydney, Australia (1997); British Art Show, Manchester, Edinburgh, Cardiff (1995).
Fire Station Residency 1997-2001
Acme's residency at the Fire Station is one of the most directly supportive schemes for artists in the United Kingdom, providing combined studio and living space at low rents, as well as a half rent residency for a deaf or disabled artist. This fixed-term residency scheme is intended to allow artists more time to concentrate on the development of their work and professional careers, and less time working to survive. 1997-2001 residents were selected by artists Tracy McKenna, Cornelia Parker, Adam Reynolds, and Acme co-founder Jonathan Harvey.